Tangeye Abugharib film- فیلم تنگه ابو قریب
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Tangeye Abugharib film- فیلم تنگه ابو قریب

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The Abu Ghraib Strait movie is the latest made by Bahram Tavakoli and one of the films at the 36th Fajr Film Festival. Bahram Tavakoli’s films are about single people. This loneliness does not mean among others, but most people can not communicate well with their associates. The show depicted the separation in the film “shallow yellow sky” in a large, almost deserted home, and in “Here Without Me” in the suffering of the characters being useless. In the Strait of Abu Ghraib, this loneliness is not attributed to a person attributed to a group of people present in the film. The point at which the filmmaker decided to define his narrative and the type of film’s limited viewing angles to his captured characters is an admirable note of the film Aqqibir Strait.(دانلود تنگه ابوقریب)

 

Technically, this film is brilliant and awesome in Iran. The abyssal camera of Abyaneh, just like an eye, looks very delicate in looking for subjects, and with much boldness, under the pretext of special effects, does not come up with a short plan and does not use it, and instead, it gives the audience a gift of truth and credibility using long-term perceptions. Amir Hossein Ghasemi has been working as a sound recorder as well as a researcher of the scientist as sound recorder. All of these technical factors serve Marsh Tavakoli’s well-directed director. Another is not the domination of the technique and the correctness of the film’s form, but the director has a personal look and feel to look at the events, and this is a great asset in the cinema of Iran.(تنگه ابوقریب کامل)

Tangeye Abugharib The director has a personalized look to look at what’s going on, and this is a great asset to the cinema of Iran.
The Abu Ghraib Strait begins with a long harvest. The camera starts a long movement alongside a dam and goes into two-person dialogue with Khalil’s character (played by Hamid Reza Azarang) and Aziz (played by Ali Soleimani). But this conversation is heard from the perspective of two brothers of the film Majid (played by Javad Ezzati) and Hassan (with the new Amir). The filmmaker shows us, in this elementary film plan, how accurately he sees the viewing angle in his film’s narrative. Knows who to narrate any sequence from the point of view. When to use long picking, and when to go to a doubles or multiplayer conversation. In the very first sequence, one can observe the filmmaker’s obsession with sitting and talking subjects. All of this, the delicacies of the performance are very spectacular and appealing, and encourages the audience to watch the film continue.(فیلم تنگه ابوقریب)

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The point that the soul and extract of the movie is Bahram Tavakoli is revealing itself at the end of the film’s opening sequence, where the final view ends on a fourteenth table. The film is about the memories and effects of humans on the world and on the minds of others. Small things like Abewij Nesfei Hassan on the table can, in a complex war situation, throw us into the quiet world of the film, and this thundering is always a matter of regret for the past. The filmmaker picks up the change of four-person board arrangement with the presence of these four people, and shows the title of the film on the same image to the audience. Because that’s exactly what it’s all about. A film that casts off the forgetfulness of an incident and its brave men (which are said in the last narrative that their tales were lost in the final days of the Iran-Iraq war).

Tangeye Abugharib The company’s commander (played by Mehdi Pakdel) at the beginning of the Dialogue movie says that it is right to refer to the central idea of ​​the story, but at the same time it fits in perfectly with the form of intertwining the images the filmmaker shows to us (like the slow motion of the camera in the corridors of the base): Do you remember this in the wall and the weather? Filmmaking videos, while sensational, are close to realism, yet display the theme of the work. But in some cases, they leave the character frame and become the screenwriter’s voice. For example, where Majid told Ali (playing Mehdi Ghorbani): “Learn at least to take pictures of things you do not like.” As Bahram Tavakoli has learned to make a film that is bitter than the media’s task he assumes To record the effect of humans on the fate of a country. But the objection is that the dialogue is approaching the slogan, although it can be neglected due to its consistent consistency with the whole.

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In this elementary film plan, the filmmaker shows us how well he has calculated the correct viewing angle in his film.
The selection of the title of the film, which refers to the location of the incident, is an exact choice because in public memory people name a movie later than an operation or area, and Takkoli has an impressive attempt to prevent a deterioration of memory. On the other hand, the English title is The Lost Strait, which refers to the theme and spirit again. Forgotten Strait, like all the forgotten men, just like all the scenes in the film, we forget about everything we cross, and the filmmaker tries to make them remember them, and eventually, just like Bahram Tavakoli who, if he did not create his brilliant film, Was forgotten. The Abu Ghraib Strait is the Forgotten Strait of the Forgotten Gap.(سینمایی تنگه ابوقریب)

It is quoted as Moses, the Prophet, walked the mountain for thirty days, went on a ten-day journey by the command of God. Moses, his brother, made Aaron a successor to the people. During this time, the Samaritan made a golden calendars and introduced it as the god of Moses and forced the people to worship his calf. When Moses, with the commandments of God (the Ten Commandments), returned to the people of Israel, he was astonished. With the return of Musa, the people took away the Samaritan calf worship and acted in the Ten Commandments, and the Samaritan also renounced (forced to leave the land).

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In one direction, especially the narrative of the last movie of Bahram Tavakoli reminds me of the story of the Samaritan calf. When filmmaking and the concept of directing in Iran are reduced to superficial concepts such as charm (which has been less successful) and satisfaction of the audience (is it true that the Iranian audience is not indifferent?), We are faced with many filmmakers who make movies each year. And they are in a hurry to become famous earlier, inevitably lose some of their own value concepts. It does not make sense to design a long plan that moves the concept to the desired filmmaker. Another script, in which each individual component ranging from characters to spaces of locusts, dialogues and events to serve the central idea of ​​the story, is less seen. Bahram Tavakoli, however, has not reached the current trend of filmmakers in the Abu Ghraib Strait. The film is the result of a deliberate and scrupulous look at its core idea and is considered an appropriate hospital warrant for describing this idea. The Abu Ghraib Strait is due to the fact that the Samaritan calf did not believe in Iran’s cinema and was able to live up to a certain extent with the concept of making good films and directing the cinema in Iran.)=(دانلود رایگان تنگه ابوقریب)

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